Bex Hogan Owl King Author Interview jpg

OwlKing Cover

A dark, captivating 12+/YA tale of deception and survival, set in the same faery world as Nettle.

Long ago, kings and queens of the faery realms exchanged talismans with one another to maintain harmony in their world. The Stag King gave up a shard of antler, the Owl King a feather, the Minnow Queen a shimmering, silver scale. But the Owl King has grown restless, and his kingdom has become dangerous as he feeds off the magic of others. Always he hunts for a new bride to sustain him.

When devoted sisters, Ilsette and Lyla, are summoned to court, the Owl King’s eye soon falls on the beautiful Lyla. Determined to save her sister from a terrible fate, Ilsette sets out on a quest to find the prized feather and change the balance of power.

Lyla bewitches the king with her stories, but time is running out. Meanwhile, Ilsette’s search leads her to a realm with two moons and scarlet stars. Here she must trick King Locryn into revealing the feather’s secret whereabouts, so that she can steal it. She’s befriended by a strange magpie and two shadow faeries, but all the while, she faces an impossible truth โ€“ to save her sister, she must destroy peace among the realms.


Author Q&A with Bex Hogan

Owl King

Yes, I always knew I wanted to feature Nettle in the second book, because although OWL KING isnโ€™t a sequel to NETTLE, itโ€™s part of the same series, and I think itโ€™s always fun for readers to get a little nod to books set in the same world. And if Nettle was going to appear, then Ellion would have to as well! The Nettle we meet in OWL KING is far more confident in who she is, having settled into her own skin and embraced her true nature. The dynamic between Nettle and Ellion is more evenly balanced now, with them working as a team.

Writing these short stories was so much fun. It was a way to create the faery tales of the Faery Realms, adding an extra layer of depth to the world and its history. I wanted to imagine the kind of stories that faeries would pass through the generations, while also making them relevant to our characters and driving the story. I knew early on that they would be about birds, because that is such a huge part of this realmโ€™s faeriesโ€™ identities. I outlined roughly where I would want them to feature in the book, and how that would progress Lyla and Catoโ€™s relationship, but when I sat down to write them, I didnโ€™t know what would happen. I let each story unfold, and listened to where it wanted to go. Itโ€™s a very freeing way to write, and sometimes they needed some adjusting afterwards, but most of them arenโ€™t hugely changed. 

Cato is the villain of the book, but I always think the best villains are the ones where we can see why theyโ€™ve become the monster they are. He wasnโ€™t always bad, but power โ€“ or the perceived loss of it โ€“ has corrupted him entirely. Faeries live for such a long time, that losing any semblance of a moral compass means the spiral to darker places has no end. Cato has sunk deep into an existence of horrific deeds to maintain the power he believes he needs. Until Lyla comes along and challenges him. I wanted to explore whether redemption is possible, could someone lost to such darkness ever find his way back to the light?

I grew up in Cornwall, and I think to spend so many years surrounded by its natural magic has profoundly shaped me as a writer. When I imagine the Faery Realms, they are the untouched pockets of Cornwall I see, the ancient bluebell woods, laden with atmosphere and history. Or the wild moorland, dense with gorse and windswept trees. Iโ€™m so fortunate to have grown up in such a beautiful place, and to have been so inspired by it. There was also a local legend in the village I lived in, about an owl man. He was said to be half-man, half-owl, with piercing red eyes, and was seen flying over the ancient church on the headland. He definitely was a part of the inspiration for the Owl King himself!

The main thing is to remember you donโ€™t have to write a full length novel straight away! Short stories are your friend when getting started, because writing a whole book is very hard! Enjoy writing little, snappy stories, have as much fun with them as you want. And read as much as you can. By reading, you absorb the rhythm of writing so that it becomes instinctive and makes your life a lot easier. Remember that bringing your magical worlds to life on paper isnโ€™t the same as school. There are no rules beyond the ones you make. So donโ€™t feel restricted, donโ€™t worry about getting it right, just have fun practising and experimenting!

Ilsette is a young faery, and has had a sheltered upbringing due to Lyla trying to keep her safe. Their bond is fierce , so when Lyla is the one needing help, Ilsette doesnโ€™t hesitate to do whatโ€™s necessary. But she lacks experience, and is guided purely by stories her sister has told her. When she discovers things arenโ€™t quite what she expected or imagined, she has to find inner strength that she didnโ€™t realise she had. And she has to learn to trust others in a way that sheโ€™s previously fought against , because quests arenโ€™t easy to complete on your own.

I was absolutely raised on fairy tales as a child and completely adore them. I love their darkness, their unflinching view of the world, their acceptance of how beauty and cruelty go hand-in-hand. Fantasy is what I have always gravitated towards, whether reading, or watching films. I love escaping to magical worlds, to places of imagination, so it makes sense that this is what I prefer to write about. For the Faery Realms, I wanted to write stories that felt like traditional fairy tales, but were also fresh for a modern audience, drawing on Cornish folklore as well. I am a daydreamer by nature, and one glimpse of my office or my many notebooks would tell you quite how chaotic I am, but when it comes to my writing process, Iโ€™m structured. Deadlines force me to be! I will come up with a plot outline before I begin drafting, and make sure my editor likes the direction Iโ€™m taking. This is my favourite bit because I can legitimately daydream for work! For the Faery Realms series, this is also where I will do my research into fairy tales, diving into the older variations, and letting them inspire me. Then itโ€™s just about getting the words down, trying not to worry if theyโ€™re not perfect, because they never are first time round.

I do have a map! Iโ€™m probably about the worst artist in the world, so itโ€™s a very basic map, but itโ€™s essential to help me understand where the realms are in relation to one another. When youโ€™re world building in fantasy, itโ€™s important that the places you create feel grounded, that they could really exist, and if I as the author, donโ€™t know where everything is and how all the realms relate to each other, then I canโ€™t expect my readers to fully invest in what Iโ€™ve created. When Iโ€™m developing the individual realms, I want them each to feel unique and distinct, so they donโ€™t blend into one. The different landscapes have a bearing on the realmsโ€™ historiesand therefore that impacts our charactersโ€™ journeys differently too. Each kingdom is almost acharacter in its own right, and they are essential to help each book in the series feel connected yet separate.

Yes, I shall indeed be returning to the Faery Realms! Book three in the series is called ROWAN and is out in 2026. This time we follow the story of a broken-hearted girl who follows a mysterious white hare deep into the forest and soon finds herself caught in an ancient rivalry between a faery witch and a faery lord.


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Q&A hosted by
Krystal McCann